The first part of 
	this interview was conducted following Crime Scene 2001, over the course of 
	a long afternoon spent walking with Steve and his wife Julie across 
	Hampstead Heath, and recuperating from said walking at the Spaniards and the 
	Bear.  
	It got lost for three years at a magazine, and then I did a follow-up, which 
	missed the publication of Ice Run and sat for another three years. With 
	sincere apologies to Steve, I reclaimed the piece for my own column, and 
	offer it now in the light of his excellent 2007 stand-alone NIGHT WORK.
	
	 
	 
	Part One (2001) 
	 
	HIS HEAD FRAMED BY A SOFT HALO OF GYRO GEARLOOSE 
	CURLS, STEVE LOOKS LIKE AN INVENTOR, AND IN FACT HE STILL WORKS FOR IBM AS A 
	SOFTWARE DESIGNER. BUT HIS ENTRY INTO THE CRIME WRITING FIELD CAME ABOUT IN 
	AN UNUSUAL MANNER:  
	His head framed in a halo of Gyro Gearloose curls, 
	Steve Hamilton looks like an inventor, and in fact he still works for IBM, 
	as a software designer. But he’s also one of the best new crime writers to 
	come out of America, and his entry into the field came about in an unusual 
	manner. 
	 
	I was born and raised in Detroit, went to the University of Michigan, it was 
	all very midwestern. I’d won a writing award at Michigan, and when I moved 
	to New York to work for IBM I said ‘I’ll keep writing in my own time.’ I’m 
	sure lots of people make that promise, they tell themselves they’ll keep up 
	the dream, and like most I just didn’t do it. Ten or twelve years went by 
	and I just hadn’t kept that promise to myself. But someone at work was in a 
	writer’s group, they met in a cold basement… 
	SORT OF LIKE AA MEETINGS? 
	Yeah, it had a strange feeling to it, but all sorts of 
	people, and I began bringing stuff there because the others expected it. I 
	was writing ‘literary’ short stories, but I also published a mystery short 
	in a small mag called Pirate Writings, they paid a penny a word, $44, and I 
	thought, ‘hey, big bucks! I’m a pro!’ That felt more exciting, the 
	fulfilment of a dream I’d had since I was 12 years old. I fell in love with 
	Agatha Christie then, the Poirots were the first mysteries I really loved, 
	and I didn’t start on the hardboileds until later.  
	I wanted to write a novel, I felt maybe I could do 
	this, but it seemed like you’d have to have been 50 and lived a hard life to 
	write hardboiled. Then I read Dennis Lehane and Harlan Coben, and I was 
	blown away.  
	St Martin’s Press had this competition for a first private eye novel, a 
	great idea, no agent, just a cover letter, sample and synopsis, and then the 
	judges narrow it down to six. I figured I knew how to do it, it had to be 
	straightforward, right? Chapter One, the eye at his desk, gun, bottle, 
	beautiful blonde, wisecracks. I figured you had to honour the formula. 
	Well, I had 16 days off, with nothing to do, and after 
	those 16 days I’d written two words: Chapter and One. I felt like I’d 
	failed. I went home on a Monday night, it was January, there was no 
	football, and I thought, ‘I’ll write about someone in as bad a mood as I am, 
	why he’s in such a bad mood, he’s in a cabin in the woods.’ I didn’t know 
	how to deal with it, but I made him a cop and an athlete, a baseball player, 
	got an image of a catcher, with a bullet inside him, and I just followed 
	that. He’s from Detroit, but he has to leave the city, get away. He gets 
	manipulated, and he has to face his past. The writing just flowed. 
	THE RESULT WAS A COLD DAY IN 
	PARADISE?  
	Right. Bob Randisi called to tell me I’d won, I’d get 
	the prize at Bouchercon in Monterey, and it was overwhelming. Then the Edgar 
	Award (ed. Note: for Best First Novel), and I’ve been lucky ever since. St 
	Martin’s launched the new Minotaur imprint, the Edgar came and they 
	redesigned the covers, it’s been amazing…  
	BUT YOU KEPT YOUR DAY JOB? 
	IBM, and my boss, have been very accommodating. I 
	could’ve quit a BAD day job, in fact Julie quit HER bad day job, but I stay 
	partly because the benefits are nice. 
	 YOU MENTIONED REDESIGNED 
	COVERS. THEY’RE SO IMPORTANT BECAUSE THE SETTING, MICHIGAN’S UPPER 
	PENINSULA, WHERE MC KNIGHT HAS RUN AWAY TO, IS LIKE A CHARACTER ITSELF…
	 
	That’s right…though you should see the cover they used 
	in Italy: a doctor with a surgeon’s mask, a scalpel in one hand and a gun in 
	the other! There’s not even a surgeon in the book! 
	But when you’re in the UP it feels like you’ve left the country, you’re not 
	in Canada, but you’re not in Michigan any more. It’s a different world, so 
	remote…all pine trees, cabins, Indian casinos and little else. And it’s 
	dominated by the Lake. They should call Lake Superior a sea, it’s huge and 
	dark, and so cold you can’t swim in it even in August, there are hundreds of 
	ships and thousands of men lying at the bottom. But for a couple of months 
	it’s so beautiful. It’s so natural, but it’s unforgiving. 
	THE THIRD MCKNIGHT BOOK IS ALREADY 
	OUT? 
	In America, yes, it’s called Hunting Wind. It comes 
	out in the UK in November 2001. I tie up some of the loose ends in the third 
	one. I told my agent that and she said if I tied up ALL of them she’d hunt 
	me down like a dog. But I’ve already turned in the fourth book, which’ll be 
	out next year. Eventually all the fish will end up in the boat.  
	THE THING I FIND MOST INTERESTING 
	ABOUT THE FIRST TWO BOOKS IS THAT IN BOTH THERE ARE CHARACTERS WHO THINK 
	ALEX IS THEIR BEST FRIEND, BUT HE’S NOT 
	No, there’s very little reciprocity, because Alex 
	doesn’t know exactly how bitter or twisted he is, he’s retreated into his 
	shell, Jacky’s the one to drag him out, but there is no easy answer, you 
	don’t just snap out of it. 
	IN COLD DAY, ALEX IS RUNNING AWAY, 
	BUT IT’S HIS FRIEND WHO ACTUALLY DOES RUN AWAY 
	It’s kind of a quintessential noir, everyone else 
	benefits, or manipulates, or at least moves towards their own ends, but Alex 
	is stuck. 
	THERE’S A MORE COMIC EDGE IN WOLF 
	MOON WHICH SUGGESTS HE MIGHT BE STARTING TO SNAP OUT… 
	Well, I don’t know where the story’s going. It’s like 
	driving a car in the fog. I’m still terrified, I’ve pulled it off four times 
	but I have less and less idea of where I’m going. I know people who work 
	from detailed plot outlines, I both hate and envy them! I see other people 
	writing stand alones, Lehane and Michael Connelly, and I admire them. But if 
	you do it for the wrong reasons, you’d fall flat. If another story came to 
	me—it has to make itself felt and refuse to go away—then I’ll write a fifth 
	Alex novel. But he’s definitely NOT going to Florida or California, he can’t 
	live anywhere else but the UP!  
	 
	Update: Alex most definitely did NOT move away from the UP, but there were 
	signs his character was beginning to lighten up. In the fifth McKnight 
	novel, the excellent Blood Is The Sky, Alex meets Ontario Provincial Police 
	officer Natalie Reynauld. Like Alex, her partner has recently been killed, 
	and in the course of the novel her police career suffers another set back. 
	But Alex comforts her on New Year’s Eve, and it is after that point the 
	story picks up with the latest book in the series, Ice Run. I talked with 
	Steve by phone in August 2004 about where it’s going and where it’s been, 
	and the novel that was to become NIGHT WORK, which was already in 
	progress….. 
	 
	Part two (2004) 
	 
	 
	THINGS REALLY TOOK OFF SINCE 2001? 
	Yes, Blood was a bit of a breakthrough book; it had 
	more going on and was received better. I just signed a contract for the 
	Russian translation today! 
	BUT DON’T GIVE UP THE DAY JOB? 
	Well, I’m still hanging in with IBM…they’ve continued 
	to be great. 
	BLOOD IS THE SKY IS REALLY A STORY 
	ABOUT FRIENDSHIP AND LOYALTY… 
	How a friend becomes a brother…in fact, the book’s 
	dedicated to my brother.Plus romance is a whole new thing for Alex, to be 
	involved with somebody. It’s funny how readers reacted to it,to Natalie, a 
	lot of women especially didn’t like her. I was doing a reading and a little 
	old lady put up her hand and said ‘she’s a bitch!’ 
	SHE’S SORT OF A FEMALE VERSION OF 
	ALEX 
	But there are abuses, and it’s interesting to see that 
	process, of overcoming them, become hyper real 
	WHAT’S YOUR RELATIONSHIP WITH ALEX? 
	I wish I was more like him, and that he could be more 
	like me in some ways! 
	THERE’S AN ELEMENT OF MASOCHISM 
	ABOUT HIM 
	He gets beat up. There’s nothing fun or noble about 
	it, he just can’t help himself. 
	AND A SORT OF ROSS MACDONALD 
	ELEMENT TOO 
	I loved reading those novels, where the past came out 
	of the ground, and still comes back to find you. That’s the stuff I love to 
	read. I go to the UP every summer for two weeks, and I drove all over this 
	time, sort of to say, thank you, Michigan. My next book won’t take place 
	there…it will be a stand-alone, set it upstate New York. But in Michigan you 
	can drive for so long, you can drive forever, to the loveliest, loneliest 
	little places. It’s just beautiful in summer. I did a small book tour, not 
	like the one that nearly killed me the summer before, and did a few key 
	spots and anywhere in Michigan that wanted me. I’m amazed when I’m on tour, 
	because everyone knows me. I’m not a celebrity in the real world. And the 
	readers in the UP love them, because I’m halfway OK as a Michigan boy, but I 
	don’t make fun of the UP, the half-Canadian accent, the slowness--you could 
	perceive it as a backwater. They treat me like I’m one of them, not even a 
	hint of resentment. Not even in Paradise. I spent the whole day there, and 
	probably met half the town in a bookstore while Eddie did his chainshaw 
	sculpture and Pete from Shreveport played country music. 
	HOW ABOUT THAT NEXT BOOK? 
	It’s not with Alex, as I said. He’s got to be tired, 
	and he’s got to be at least half happy. 
	He needs a break and I did too. I didn’t want to be mailing it in, you know, 
	drag out the same old guys and throw something new in. Dennis Lehane once 
	said ‘no one ever tells you that the twelfth book in your series was the 
	best!’ I’m sure I’ll go back to Alex, but after something different. The 
	other big thing is to write it in a different style, in the third person, 
	with a multiple point of view. When I go back to Alex it’ll be first person, 
	and he’ll have a new problem. 
	  
	
	
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