On
a mild November evening the UK
publishing world gathered at Six Fitzroy
Square, London W1
to discover who won this year’s CWA Ellis Peters Historical
Crime Award. The
award is sponsored by the Estate of Ellis
Peters and her publishers, the Headline Book Publishing Group and the
Little,
Brown Book Group. After a brief introduction by David Shelley
representing
Little, Brown and the Ellis Peters esatate he handed over the
proceeding to Janet
Laurence. After
giving the audience a
run down of the entries she announced that the winner, and recipient of
the
£3000 prize money was ARIANA FRANKLIN.
The
CWA Ellis Peters Historical Crime Award judging panel consisted of
Janet
Laurence (Chair), Sir Bernard Ingham, Maureen Lyle, Jessica Mann and
Colin
Murray. This year’s shortlist contains a wide-ranging
selection, from Henry
II’s England to
post-war Munich
and Tuscany,
via the Victorian railways, and nineteenth century Istanbul
and Canada.
All are to be greatly enjoyed.
The
shortlist, in alphabetical order by author, is as follows:
Ariana Franklin - MISTRESS OF THE ART OF DEATH - Bantam Press
Judges’ comments: ‘Ariana
Franklin
has found a unique female protagonist, an Italian doctor trained in the
study
of death and brought to England
as assistant to a renowned investigator charged by Henry II
with the solving of murder. In this seductive book, characters leap
into life,
scenes form a closely woven and colourful tapestry, the central figure
of
Adelia, the mistress of the art of death, has an unusual charm, and the
plot
darkens as the story progresses.’
Jason Goodwin - THE SNAKE STONE - Faber and Faber
Judges’
comments: ‘A second outing
for Jason Goodwin’s
eunuch sleuth, now having to dedicate his talents to clearing his name
from the
accusation of murder in nineteenth century Istanbul.
The loving evocation of the city, its food, architecture, ethnic
diversity and
rivalries, and the political unrest that seethes as the Sultan lies
dying,
provides a compelling backdrop to a tale that twists and turns, and
involves a
host of memorable characters, including a magnetic heroine. The climax
in the
city’s underground water system is thrilling.’
Philip Kerr - THE ONE FROM THE OTHER - Quercus
Judges’
comments: ‘Philip Kerr’s
German PI protagonist, Bernie Gunther, is working in 1949 Munich.
This is a tale where nothing is what it seems on the surface, where the
difficulty for Bernie is to distinguish one thing from another, whether
it
concerns war crimes, murder, dirty deals, or what the motives are for
engaging
his services. In a complex, multi-layered tale, characterisation,
period
atmosphere and the eventual unfolding of the facts all ring true and
provide a
satisfying whole.’
Andrew Martin - MURDER AT DEVIATION JUNCTION - Faber and Faber
Judges’ comments:
‘Another attractive mystery featuring the
engagingly
straight-forward pre-First World War railway detective, Jim Stringer.
Andrew
Martin marries together a cast of memorable and totally believable
characters
with a devious plot involving a secret society. Railways weave their
own spell
as lightly incorporated period detail assists in producing an absorbing
crime novel
that is peppered with atmospheric train journeys in the depths of
winter.’
Mark Mills, THE SAVAGE GARDEN, HarperCollins
Judges’ comments:
‘Post war Tuscany,
a
sixteenth century garden and a wartime killing are woven together in an
atmospheric
and psychologically involving novel. The mysteries of the garden, the
tensions
in the family Docci, the emerging personality of the Cambridge
architectural
student who teases out much more than the secrets of the historic
garden, all
combine in a compelling read from the author of the highly regarded THE
WHALEBOAT HOUSE (originally published as AMANGANSETT).’
Stef Penney - THE TENDERNESS OF WOLVES - Quercus
Judges’ comments:
‘A marvellously evoked tale of murder and the
disappearance of a
seventeen-year-old boy into the icy wastes of Canada
in the second half of the nineteenth century. The unlocking
of the murder mystery involves the solving of past crimes as well as
the
present, explores the question of personal and ethnic identity,
commercial
corruption, parent/child relationships, greed, loyalty and love; major
themes
that the first-time author tackles with authority and
imagination.’
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