Russell James has been named “the Godfather of Noir” by Ian Rankin. Russell writes crime novels - about criminals and victims, not the cozy procedural or whodunnit. He is the editor of Great British Fictional Detectives.
Imagine a
metafiction serial-killer thriller written by Paul Auster on speed.
Imagine an
obsessive Flemish professor of film history finding his life increasingly
filled with scenes from classic film noir – film noir because scenes and
murders from Psycho, Rear Window, Rope,
Strangers on a Train, No Escape, Butterfield 8, The Big Heat et cetera are
being re-enacted in uncanny detail all about him.
Worse, the
women killed – each of whom resembles an actress from a noir film – are all
women he has met, and the first of them is his alcoholic wife. It’s as if he were the unlucky hero of such a
film. Is he being framed? Is he insane?
What’s happening? When even the
investigating cop sees himself as Dirty Harry, this amusing, teasing,
film-crazy novel keeps you guessing through every reel.
Translated by Jonathan Lynn
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