LOOKING
FOR A NEW CRIME NOVEL THROUGH A GLASS DARKLY
I had no intention of writing a series. Norwegian
by Night was Sheldon's story about his son and was a singularity; it
was not intended to lay a foundation or start a wider journey. It was a story about
an old man's final adventure and his reconciliation with his own past. The
notion — at the time — of bringing that story forward seemed to be a denial of
its very end and therefore a failure to grasp or accept the nature of the story
of itself. Sheldon's journey was over. That much was certain.
I moved on to The Girl in Green. A new universe with
new characters and a new sensibility. It opened a wider literary world for me
to explore and presented a new canvas for storytelling. If Norwegian by
Night was largely Sheldon's book, here I wanted an ensemble cast, playing
off each other, and creating drama through their interaction, set against a
world that was forcing their hands. This was a story set in Iraq. A book about
war and peace. I built on my compulsion to write both comedy and tragedy and I
gave deference to my instinct to see the absurd and bring it to life. It was a
sweeping novel grounded in a decade of knowledge and research and travel and
passion about my subject. I'm very glad I wrote it.
When it was over, though, I needed to step way, way back
from that world, take a breath, and consider where I was — emotionally,
mentally, professionally.
Returning to the world of Norwegian by Night was a
gentle temptation at that point. I loved the mood and the characters and the
family drama of that book, all set inside a simple crime story. I was hostile
to the idea, though, of creating a lesser version of that book. I wasn't going
to create a story to compete with it and lose. I needed a story that was — in
essence — a book to stand alone; a novel that turned a page; that could serve
as a companion to Sheldon's story but not exist in its shadow. I needed to see
the world new again in the way that Sheldon saw Norway and Europe.
That last part was a clue.
Sigrid Ødegård was the Norwegian police chief in that first
book. She already had a relationship with her father that I thoroughly enjoyed
and I had made reference to a brother who had moved to America years ago. We
also knew she'd lost her mother to cancer as a child.
What if.
What if Sigrid went to America, mirroring — but not
duplicating — Sheldon's trip to Europe? A woman and not a man; a different
generation; an utterly difference life experience; and yet an encounter with a
foreign culture and an adventure to be had there that echoed across time and
space and literature?
And so I interrogated the idea:
What adventure? What would happen?
Her brother. What about her brother?
He's missing. We know he's missing because something has
changed. He is … unresponsive. So what? Why is this worrying? Because the
father is worried. Their dynamic is complex and rooted in a painful history for
which no one is to blame but in some way, everyone is. He's also worried about
Sigrid. He thinks she's going to brood now. He wants her to land on her feet
and start moving again.
Still, though, this wasn't enough for me. A missing person
case wouldn't give the novel the depth and dimensionality and
present-mindedness that drives my writing. There had to be something about
Sigrid's own experiences that would inform the way she approached the world
itself at that moment in time. Something that would provide the optic for her
concerns and investigation on foreign soil.
What was happening in the real world around me that was on
my mind and I wanted to seize and amplify and look for answers?
Black men – black children – were being gunned down by the
police on video, on Facebook, on camera. Ferguson was happening. Philando
Castile was happening. I could list names, on and on. Police violence, rising
racism, the national elections coming up. Black Lives Matter. A resistance to
that grounded in … what?
There was a connection there below the surface that would
open the idea for the story itself. It was when I remembered the simple fact
that Sigrid had shot an immigrant at the end of Norwegian by Night that
the pieces started to fit together.
Scandinavian crime writers would have us think that the
culture up here (I live in Oslo) is dark and foreboding, and violent and drunk.
It's dark during the winter all right, but it has one of the lowest violent
crime rates in the world; the police are well educated and hardly trigger
happy; and while there is a rash of petty crime (the bastards stole our baby
stroller … I mean, honestly), this is closer to Pleasantville than Gotham. That
doesn't sell books but it's the truth and I like building stories out of the
truth; There's just so much to work with and the path it weaves into our hearts
can be that much deeper.
What view of life and police work might Sigrid bring to
America, I wondered, having just shot and killed an immigrant once she learns
that Marcus is missing because he's implicated in the death of his girlfriend —
an African-American academic and scholar in race relations and identity
politics?
A different one, that's what kind.
In Jefferson County in upstate New York — a setting exotic
for how un exotic it is — Sigrid will meet Sheriff Irving Wylie. Irv was
educated at Loyola and holds a Masters in Divinity. He will say to her,
when trying to get them to cooperate rather than compete in finding Marcus
first, "I think you see the world differently than I do, Ms. Sigrid. I
believe we, at the sheriff’s station, are seeing your brother’s world through a
glass darkly, which is why we can’t find him. But through your clear blue
Norwegian eyes we’re going to learn to see him face to face, and you know why?
Because love never fails. And I believe you love your brother. So: Corinthians
Thirteen. Who knew it was actually a foundation for a solid investigative
strategy in a murder case.”
American
by Day is the story I did not expect to
write, creating the series I had no intention of writing, and yet one that has
taken me on a related but unique journey back to a land I came from and I
thought I knew but is becoming more strange to me every day.
Derek B. Miller is
a novelist and international affairs professional. He has worked at the UN,
think tanks, and universities on matters of international peace and security
and development.
American by Day
Transworld, Penguin
Random House.
Published April 19, 2018
Hbk £16.99
